Antique

Finding something over 50 years old for this week’s edition of Cee’s Black & White Photo Challenge isn’t the hard part. Just looking in the mirror solves that problem.

However, to spare all of us the ordeal of a self-portrait, here are three photographs taken in a chateau in Sarlat, which is set up as it might have looked in the sevententh century (way more than fifty years ago).

This old book (Proceedings of the Committee on French Africa – riveting stuff) is artfully placed on a desk, but I liked the cropped version showing the book itself and the (also artfully placed) reading glasses:

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Sepia seemed the most appropriate colour cast for this formal dining-room:

Over50Yrs

But my favourite image is this one. A quasi-impressionist view through some very old window-panes, the antiquity of which is attested by the fact that they’re full of bubbles, showing that they were made in the days before glaziers had mastered the techniques of producing absolutely clear glass in mass-market quantities:

Over50Yrs-2

Monochrome: Texture & Contrast

Cee’s Compose Yourself Photo Challenge has now reached Black & White and as a first stage is focussing on texture and contrast. Here are some images that incorporate both these key elements of monochrome images.

This camellia flower was actually a gorgeous shade of purple, but the monochrome brings out the texture of the leaves very well, while the greater contrast enhances the perception of detail at the heart of the flower :

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This little imp sits on an electricity pylon, contrasting well with the texture of the concrete post, in the small hamlet of Bonnefont, quite close to here:

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Monochrome also brings out the texture in these carvings from Chartres Cathedral….

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…and the contrast in this dramatic skyscape

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Locked

This modern lock secures the carved wooden door of an old building in the al-Bastakiya heritage area of old Dubai.

Lock

Cee’s Black & White Photo Challenge: Locks and Clocks

Blast from the past

This week’s topic for Cee’s Black & White Photo Challenge is signs, and more specifically store signs. So what could be more appropriate than this example, which still hangs  outside what used to be called the ‘Phot-Office’ (geddit?) in Montrol-Sénard.

If nothing else, it should remind us all to be grateful for the invention of digital cameras.

Shop sign

Rosebud

Usually, the point about flowers is the colour, but this monochrome image of a rosebud (taken at Chédigny) highlights the intricately furled petals.

Flowers

Cee’s Black & White Photo Challenge: Flowers

Playing in cars

What tw0 year-old wouldn’t enjoy playing in a proper grown-up car? Under supervision, of course.

Cars

Cee’s Black & White Photo Challenge: Cars

Steps in sepia

Sepia seems to me to work better than conventional black & white in these pictures: the first of an old set of steps leading up to a cobbled square in the town of Saint-Emilion in the Bordeaux region:

Steps

and this from Montrol-Sénard:

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Cee’s Black & White Photo Challenge: Steps

Capital carving close-up

The precision and detail of the carving on the capital of a marble column in the Sheikh Zayed Grand Mosque in Abu Dhabi is clearly brought out in this monochrome close-up.

Close-up

Cee’s Black & White Photo Challenge: Close-ups

Backwards in time

An open topic for Cee’s Black & White Photo Challenge this week gives me an excuse to post this image.

It was taken in the Musée d’Orsay in Paris, which is housed in a former mainline railway station. This is the inside of the clock tower. I was praying that everybody else would get out of the shot before this gentleman decided to move on and spoil the composition.

Clockface

This is what it looks like from the outside:

Clockface3

Cee’s Black & White Photo Challenge: Open Topic

Obviously a French water buffalo…

…given that it’s eating a baguette.

Buffalo

Cee’s Black @ White Photo Challenge: Tongues and Tails