Lens-Artists Challenge: Lucky Shot

It was the famous French photographer Henri Cartier-Bresson who coined the expression ‘the decisive moment’, in his seminal book, ‘Images à la Sauvette’, published in 1952. In photographic terms, the decisive moment is that split second when you press the shutter at exactly the right time to elevate an image out of the ordinary. Of course there is a huge degree of skill involved in that, but also an element of luck.

This week’s challenge is to show photographs that were taken in that brief but decisive moment and, unusually for me, I’m posting two images this time.

My first thought on reading the challenge was ‘fireworks’. It’s surely at least 99% luck if you get a truly memorable image from a firework display, and the chances are that you will instead end up with – almost literally – a damp squib. Somehow, though, I managed to nail this one (and quite a few more, as it happened) on New Year’s Eve in Sydney, close to twenty years ago:

Much more recently – only last weekend, in fact – we went to admire some Highland cattle at a nearby village fête. There were two adjacent pens, one containing two bulls and the other holding some cows with their calves. Having snapped (well, ‘pressed’ really nowadays, isn’t it?) away merrily for a while, I was getting ready to leave when the older bull and one of the cows went in for what can only be described as a smooch through the bars that separated them. I guess I was lucky to be there when it happened.

Lens-Artists Challenge: Lucky Shot

Lens-Artists Challenge: Five Elements

This week’s Lens-Artists Challenge, set by Sophia at Photographias, asks us to feature the four classical elements: air, earth, fire and water, but with metal as an addition.

Ideally, a single image would include all five (and so probably qualify for a notional bonus point. Unfortunately, I could find nothing in my library that would achieve that quintuple whammy, but I managed to include the full set in just two images.

Air and fire are accounted for by this shot taken at a firework display celebrating the United Arab Enirates’ National Day (which, coincidentally, comes round again this week).

As for the rest, here’s some dew (water) on a spider’s web woven on the back of a metal (sic) chair in our back garden (earth).

Lens-Artists Challenge: Five Elements

Lens-Artists Challenge: Cityscapes

Way back when, we found ourselves in Sydney on New Year’s Eve and so were able to experience the world-famous fireworks display for ourselves.

Lens-Artists Challenge: Cityscapes

Lens-Artists Challenge: Warm Colours

Photographing fireworks is always a bit of a lucky dip (basically, press the shutter and hope), but sometimes the results can look spectacular. I wouldn’t pretend that this image – captured at a National Day celebration in our local village a few years ago – was especially outstanding, but it certainly meets the brief of warm colours for this week’s Lens-Artists Challenge.

Lens-Artists Challenge: Warm Colours

Flower or firework?

Is it a flower? No: it’s a firework from the local National Day display last year.

Cee’s Fun Foto Challenge: Basically two colours

A Golden Display

This week, Cee is looking for a photo dominated by a single colour.

This is a firework I captured in the New Year’s Eve display in Sydney a few years ago. Photographing fireworks is always a bit of a hit-and-miss affair, but I think I got lucky with this one.

Cee’s Fun Foto Challenge: Single Colour

Tuesday Photo Challenge: Dark

As most happy snappers will know, the word ‘photography’ is derived from the two Greek words for ‘light’ and ‘drawing’, so Frank has set us a particularly interesting challenge this week, with his theme of ‘Dark’.

No photographic image can be completely dark, of course – otherwise it would just be a black rectangle on the page or screen. But it is the contrast and juxtaposition between light and dark that make for an interesting image, and if there’s one subject that offers infinite variety in the interplay between light and dark, then it must be fireworks.

This was taken on New Year’s Eve in Sydney a while ago. With a hand-held one second exposure it was never going to be pin-sharp, but the blur of the palm trees illuminated by the fireworks adds to the overall impact, I believe.

Tuesday Photo Challenge: Dark

Weekly Photo Challenge: Evanescent

What could be more ‘soon passing…quickly fading or disappearing’ – evanescent – than a firework?

Weekly Photo Challenge: Evanescent

52 Weeks Photo Challenge: Week 31 – Empty Space

It’s good to have The Girl That Dreams Awake back and resuming her 52 Weeks Photo Challenge with the theme of ‘Empty Space’.

I do believe that sometimes less is more, and it isn’t always necessary to fill the frame with your subject.

And I particularly enjoy photographing fireworks: like snowflakes, every one is different. Some are best viewed in ‘full frame’, but with some thoughtful cropping a lot of empty space can enhance an image, as in this example.

It’s a rocket that was part of last year’s Fête Nationale display in our local village. However, with a little imagination you could also see it as a picture of a sunrise, taken from outer (and therefore empty) space.

52 Weeks Photo Challenge: Week 31 – Empty Space

Hugh’s Weekly Photo Challenge: Week 19 – Gap

In the gap betwen two high-rise buildings in central Sydney, here we see the New Year’s Eve firework display (with the added bonus of reflections in the plate glass). This was a 0.5 second exposure, but I think the resultant slight blur makes the light from the fireworks even more dramatic than it actually was.

Gap

Hugh’s Weekly Photo Challenge: Week 19 – Gap