Posted on April 18, 2017
Today I am participating for the first time – as it moves into its second year – in the Tuesday Photo Challenge hosted by Frank at Dutch Goes The Photo!
The theme for this week is ‘Mystery’. This photograph shows part of the astonishing painted ceiling in the crypt of the village church of Gargilesse, in central France. Clearly, it’s a religious – specifically Christian and even more specifically Roman Catholic – theme, and as such some of the imagery is familiar, but there’s also some that’s a mystery, at least to me.
Posted on April 6, 2017
‘Security’ is generally a serious subject, so all the more reason to allow a little levity sometimes when dealing with it.
This sign can be found outside a chandlery (and key-cutting) shop in the town of St-Junien, in the Haute-Vienne département of France.
Posted on March 10, 2017
The fresco on the ceiling of the Collègiale church in St Junien is very faded, so you’re not missing much by seeing it only in monochrome:
Posted on January 22, 2016
Sometimes you can’t get exactly the shot you want and need to rely on post-processing to realise your original idea.
This was taken in Saint Mark’s Square in Venice and is of the side of the Cathedral. It’s always crowded there, so for every kind of reason it makes no sense to be packing a long zoom lens. I was interested in the detail of the recess in the centre of the image, but this was the closest that my 24-70mm zoom lens could get.
The first actions to take were to straighten the image and crop out all distractions – notably the scaffolding. It also allowed for an aesthetically attractive symmetry in the final image.
As can be seen from the shadows in the original image, the sun was shining very brightly and it was close to noon, so the whole image looks ‘bleached’. Fiddling with the overall exposure didn’t produce any helpful results, but taking down the Highlights, Shadows and Whites sliders brought out a lot more subtle detail in the stonework and also had some positive impact on the colours.
However, I resorted to the individual colour adjustments to reach this final version. I boosted the Saturation of the three principal colours – orange, yellow and blue – but by trial and error I found that a greater impact was made by adjusting the Luminance – increasing orange and yellow, reducing blue.