Posted on July 3, 2020
A view of part of the mightily impressive vaulted and domed ceiling of the Cathedral of Saint-Front in Perigueux.
I did my usual trick of lying the camera on the floor pointing upwards, setting the timer and hovering just out of shot to make sure that nobody steps on it. It gives a different perspective and also stops you getting a crick in your neck.
Posted on April 13, 2020
Admittedly, it’s not the windows but rather the painted ceiling that’s the main point of interest here in this image from St. Mary’s church in Beverley, East Yorkshire. However, they are quite impressive in their own right….
#MondayWindow 13 April 2020
Posted on August 17, 2019
The eye-level architecture was impressive enough, but where could it be more appropriate and rewarding to look up than in a church like this one in Azay-le-Ferron?
Posted on March 1, 2018
In modern times, the power of religion is much diluted. However, it is important to remember that at one time the grandeur of great cathedrals – now often faded – was designed to impress a superstitious and almost certainly illiterate populace.
Both the architecture and the decor were intended to provide an idea of the glories of the life hereafter: literally out of this world.
Even now, the twin domes of the cathedral of Cahors can still impress even the most determinedly secular of observers.
Posted on April 18, 2017
Today I am participating for the first time – as it moves into its second year – in the Tuesday Photo Challenge hosted by Frank at Dutch Goes The Photo!
The theme for this week is ‘Mystery’. This photograph shows part of the astonishing painted ceiling in the crypt of the village church of Gargilesse, in central France. Clearly, it’s a religious – specifically Christian and even more specifically Roman Catholic – theme, and as such some of the imagery is familiar, but there’s also some that’s a mystery, at least to me.
Posted on March 10, 2017
The fresco on the ceiling of the Collègiale church in St Junien is very faded, so you’re not missing much by seeing it only in monochrome: