Posted on April 12, 2018
There’s a bit of a story behind this particular image, posted in response to the WordPress Weekly Photo Challenge ‘Awakening’.
In October 2004 we came to France with the express purpose of finding a house to buy. We stayed in a gîte – I can’t remember the exact location, but it was somewhere in the Vienne département – and I brought with me my first digital camera, a 3MP Olympus compact (really good lens, by the way).
One morning – upon awakening, you could say – I looked out of the bedroom window and saw the dawn mist in the shallow dip between the hamlet where we were staying and the local village.
Posted on October 6, 2017
Living, as we do, in the depths of the French countryside, it was never going to be a problem to find an image to respond to Cee’s theme for this week of ‘All Things Farm-Related’.
However, there’s only so much interest you can wring out of yet another picture of a tractor, so instead here is a landscape from just up the road. The item in the foreground is a hay feeder, used in the winter months when the sheep don’t have freshly growing grass to chew on. This photograph was taken in early summer this year, so no need for the winter silage.
Posted on August 10, 2017
It’s not the easiest thing to find an image that shows all four primal elements at once.
However, this picture, taken along a lane about a mile from here, undoubtedly conveys three of them: air, water and earth. And since the sun was shining, perhaps that could be taken for fire. In any case, it’s a tranquil rural scene.
Posted on June 6, 2017
Freezing fog gives a ghostly appearance to this view of the little road that runs from our hamlet up towards La Motte.
(To enhance the mood, the original colour image has had a Blue high-contrast filter applied in Lightroom.)
Posted on April 27, 2017
I have been very fortunate to travel widely – and not always on business – but the ten years we spent living an working in Abu Dhabi were particularly memorable: and, of course, completely different in almost every way to what we were used to.
On the nature reserve of Sir Bani Yas Island, in the Arabian Gulf, we went for a game drive at sunset, where I found this lone oryx, which seems to have some wanderlust of its own. There really was a yellow cast to the sky as the sun was going down.
Posted on March 7, 2017
Posted on May 3, 2016
The latest instalment of Cee’s Compose Yourself Photo Challenge calls for landscapes. Like many ‘generalist’ photographers, I take a lot of landscapes but for the purposes of this post I decided to confine myself to ones from the Arabian peninsula.
Taken in the desert outside the oasis city of Al Ain, this image has a strong leading line, while the rocks in the foreground provide perspective:
This was also taken just outside Al Ain. In terms of composition techniques, the road provides a diagonal, but, with camels grazing beneath electricity pylons, I like it as a metaphor for the entire country: modernising while trying to retain and respect tradition.
This third image was taken in a small bay near the city of Muscat, in Oman. Not all of the Arabian peninsula is covered in sand dunes, and in Oman the volcanic rock of the Hajar mountains provides an impressive backdrop to the beaches and cities. Technically, you have the rule of thirds and the parasols on the beach provide perspective, while the contrasting colours of the orange buoys in the blue sea are also a compositional feature:
Finally, two photographs taken on the nature reserve of Sir Bani Yas Island that feature all these compositional factors. On the left, another example of the same contrasting colours, while the slope of the hillside gives a diagonal and the two groups of antelope give perspective. On the right, a solitary oryx heads off into the sunset. The two pictures were taken at more or less the same time, towards sunset, and it’s interersting to see the difference in the quality of light depending on whether the sun is behind the camera or in front of it.