Hugh’s Weekly Photo Challenge: Week 21 – Fresh

It probably doesn’t get much fresher than this colourful display of salad leaves at the Rialto Market in Venice:

FreshVenice

Hugh’s Weekly Photo Challenge: Fresh

Weekly Photo Challenge: Future

When I saw that this week’s topic was ‘Future’, I knew exactly which image I wanted to use. Unfortunately, I didn’t take it (my son did) and nor do I have a copy in my library. However, the immensely talented Madame made a wall-hanging based on it, which now sits over our stairs. Here is my photograph of that:

Future-2

It shows our twin grandsons taking their first unaccompanied walk together down the beach to the Arabian Gulf in Abu Dhabi. It always looked to me that they were heading off into the future.

I think I know why, too. When I was about their age now (eight), I remember a big – or so it seemed to me at the time – picture painted on the wall of the old Birkenhead Market. It showed a boy and a girl heading off down a path together towards a brightly shining sun: As I recall, it was actually an advert for childrens’ shoes and was captioned ‘The Highway To Health’. Anyway, the photo on the beach brought it back to me.

Weekly Photo Challenge: Future

Tractor tyres

I see that the topic of ‘wheels’ has come around again (as it were) in this week’s Black & White challenge. The annual cavalcade of vintage agricultural vehicles at Lesterps guarantees plenty of interesting wheels.

image

Cee’s Black & White Photo Challenge: Wheels

Thursday Doors: Rochechouart

The town of Rochechouart is dominated by its medieval Chateau. It has a cloister, in one corner of which are these intriguing doors (and unusual ‘candy cane’ columns).

Rochechouart

Thursday Doors 7 April 2016

Weekly Photo Challenge: Landscape

Not far from here, if you go down a country lane and then take the lane that leads off that, you will come across this tranquil landscape:

Landscape-2

Weekly Photo Challenge: Landscape

Tattoo

For this week’s B&W challenge, Cee wanted a candid photograph of a person or a pet. We are a pet-free zone here, but this gentleman was snapped at the La Sagne Hippodrome last July 14th.

I don’t really ‘get’ tattoos, I must say, and I certainly don’t have any myself. And even if I did, I’d be very wary about having a screed in a foreign alphabet. For all I know – and probably him too – this could mean ‘Sweet and sour chicken with fried rice’.

Candid

Cee’s Black & White Photo Challenge: Candid

 

Thursday Doors: Limoges (encore)

After the modern automatic doors at Limoges’ railway station a few weeks ago, here is something much older from the city’s medieval quarter, very close to the Cathedral of St. Étienne. It’s obviously a bespoke job.

Limogescathedral

Thursday Doors 31 March 2016

Hugh’s Weekly Photo Challenge: Week 19 – Gap

In the gap betwen two high-rise buildings in central Sydney, here we see the New Year’s Eve firework display (with the added bonus of reflections in the plate glass). This was a 0.5 second exposure, but I think the resultant slight blur makes the light from the fireworks even more dramatic than it actually was.

Gap

Hugh’s Weekly Photo Challenge: Week 19 – Gap

Geometry

For the latest step in Cee’s Compose Yourself Challenge we are asked to consider the geometrical shapes within our images. Unusually, I had no problem finding potential candidates for inclusion in this selection. Quite the reverse, in fact, which is why, as an extra challenge, I confined myself to photographs that I took in Australia – mostly in and around Sydney – a few years ago.

This first image – of an upturned boat on the beach at Watson’s Bay, across the harbour from the city – contains multiple geometric shapes, in terms of both subject and composition:

Geometry13

Below are pairs of images featuring the most common geometric shapes. Hover over any picture for a (slightly) fuller comment.

Circles

Triangles

Rectangles

Cee’s Compose Yourself Challenge: Geometry

Weekly Photo Challenge: Half-Light (Ozymandias)

I don’t matter. Ultimately, nobody does.

And if there’s one poem to keep you focused on your own mortality and complete inconsequentiality in the great scheme of things, it must be Shelley’s ‘Ozymandias’:

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

In other words, however great or important you may think you are, even your most stupendous monuments will not stand the test of time.

Specifically, ‘Ozymandias’ refers to a massive ruined statue of the Pharoah Rameses II. Unfortunately, I don’t have any images of Egyptian ruins, but I do have quite a few showing the ruins of what must once have been (well, still is, even in its current state) the awe-inspiring city of Petra, in Jordan. Including this one:

Half-Light

No doubt the Nabateans, in constructing their ‘rose-red city’, were out to impress, inviting visitors to ‘Look on my Works, ye Mighty, and despair!’

Weekly Photo Challenge: Half-Light