Composition: Arabian Landscapes
Posted on May 3, 2016
The latest instalment of Cee’s Compose Yourself Photo Challenge calls for landscapes. Like many ‘generalist’ photographers, I take a lot of landscapes but for the purposes of this post I decided to confine myself to ones from the Arabian peninsula.
Taken in the desert outside the oasis city of Al Ain, this image has a strong leading line, while the rocks in the foreground provide perspective:

This was also taken just outside Al Ain. In terms of composition techniques, the road provides a diagonal, but, with camels grazing beneath electricity pylons, I like it as a metaphor for the entire country: modernising while trying to retain and respect tradition.

This third image was taken in a small bay near the city of Muscat, in Oman. Not all of the Arabian peninsula is covered in sand dunes, and in Oman the volcanic rock of the Hajar mountains provides an impressive backdrop to the beaches and cities. Technically, you have the rule of thirds and the parasols on the beach provide perspective, while the contrasting colours of the orange buoys in the blue sea are also a compositional feature:

Finally, two photographs taken on the nature reserve of Sir Bani Yas Island that feature all these compositional factors. On the left, another example of the same contrasting colours, while the slope of the hillside gives a diagonal and the two groups of antelope give perspective. On the right, a solitary oryx heads off into the sunset. The two pictures were taken at more or less the same time, towards sunset, and it’s interersting to see the difference in the quality of light depending on whether the sun is behind the camera or in front of it.
Weekly Photo Challenge: Admiration
Posted on April 30, 2016
A well-groomed barber steps back to admire his handiwork in this Dubai hairdressers.

Weekly Photo Challenge: Admiration
Spot the cheetah
Posted on April 29, 2016
For this week’s theme of hiding or camouflage, here’s a cheetah at the Sir Bani Yas Nature Reserve in Abu Dhabi. (Apologies for the pun, but I couldn’t resist it.)

Thursday Doors: Chartres (encore)
Posted on April 28, 2016
This week’s contribution was actually inspired by last week’s post from Geriatri’x’ Fotogallery, which showed a range of open doors. After all, who said the door had to be closed?
And who said you had to be looking in? This is one of the big doors of Chartres Cathedral, looking out to some of the exterior stonework. Given the high contrast between light and dark, getting a worthwhile image certainly put Lightroom through its paces, but I think it was worth the effort.

Thursday Doors 28 April 2016
Weekly Photo Challenge: Abstract
Posted on April 24, 2016
According to the Tate Gallery, “abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead uses shapes, colours, forms and gestural marks to achieve its effect”.
I think this qualifies. It was taken in front of the huge aquarium inside Dubai Mall, and illustrates what happens when you have to use a long exposure in a dimly-lit space and somebody barges into you just as you press the shutter.

The smaller image below shows what it would have looked like without the introduction of the third-party camera shake. Frankly, I prefer the abstract version (it’ll probably come as no surprise to learn that I like tie-dye too).

Weekly Photo Challenge: Abstract
The Road To Brokedown Palace
Posted on April 22, 2016
This little turn-off from the rue that runs through the little hamlet we call Tranquility Base is probably my favourite stretch of road in the world. That’s our house – Brokedown Palace – at the end of it.
And that’s why.

Thursday Doors: Emily’s Henhouse
Posted on April 21, 2016
Emily, our nearest neighbour, keeps some chickens on a little plot just across the road from her house. They spend the day foraging around the patch of ground, but at night they’re shut up in this old building with doors that, it’s fair to say, have seen better days – although not for quite a while.

Thursday Doors 21 April 2016
Composition: The Outtakes
Posted on April 19, 2016
We’re having what the French call a pause pour reflexion in Cee’s Compose Yourself Photo Challenge this time around. A time to think about the ground we’ve covered already and also an opportunity to show some images that didn’t quite make the cut for posting under the various topics that we’ve dealt with in the past months. Here’s a selection of mine:
Perspective
Now, what is this a picture of? Is it the building on the right (the apartment block in Abu Dhabi where we lived for ten years)? Or is it the glass-plated building on the left? Or perhaps it’s the reflection of the former in the latter?

Diagonal Lines
I used an image of two giraffes in my first posting on the topic of diagonal lines, but I could equally have used this profile of a horse – one of many in the fields around here.

Now two images that cover more than one aspect of the various topics we’ve looked at so far:
Leading Lines & Analogous Colours
A hillside vineyard near the village of Ay, in the Champagne region shows blue and green together, as well as leading lines

Geometry and Contrasting Colours
Orange and blue dominate this image of a seal at Taronga Zoo in Sydney. Obviously the balanced ball is one geometric shape but the curve of the seal’s body is like an arc of a circle.

Weekly Photo Challenge: Dinnertime
Posted on April 16, 2016
In the Vallée des Singes nature park, a Capucin monkey eyes up one of his five a day:

Fences everywhere you look
Posted on April 15, 2016
This week, Cee’s Black & White Photo Challenge is on the subject of fences. Well, in this photograph taken at the La Sagne Hippodrome you have:
- In the foreground, the fence dividing spectators from the race course
- In the background, the fence marking the border of the racecourse
- In the middle, two steeplechase fences, with their accompanying siderails (also fences)
The horse that’s actually jumping the fence is a bonus:





