Posted on November 11, 2019
The Grand Mosque in Muscat, the capital of the Sultanate of Oman, features many stained glass windows. In accordance with Islamic tradition, images are geometrical and abstract rather than featuring depictions of the human form.
#MondayWindow 11 November 2019
Posted on August 9, 2019
This enormous and ornate crystal chandelier hangs from the ceiling of the Grand Mosque in Muscat, the capital of the Sultanate of Oman
Posted in response to Cee’s Black & White Photo Challenge: Lighting
Posted on October 3, 2018
Posted on March 29, 2018
WordPress wants to see some images of sunrises and/or sunsets for their latest Weekly Photo Challenge.
I don’t have many sunrises, probably because that would involve getting up early. However, in the past I have posted a few sunsets (all the decent ones, it seems) under various threads, so here is a little compendium of a few of the better examples, beginning with the same view that I put up in response to last week’s ‘Favourite Place’ challenge:
More exotically, this was taken on a sunset cruise off Muscat, in Oman:
and this one in the game reserve on Sir Bani Yas Island in Abu Dhabi – the giraffe enclosure, to be exact:
This, though, is probably the most spectacular sunset I’ve ever captured – just outside Beverley, in East Yorkshire:
Posted on December 10, 2016
The first time we visited Muscat, in Oman, we went on a sunset cruise, so this was a new horizon for us at the time.
Posted on May 3, 2016
The latest instalment of Cee’s Compose Yourself Photo Challenge calls for landscapes. Like many ‘generalist’ photographers, I take a lot of landscapes but for the purposes of this post I decided to confine myself to ones from the Arabian peninsula.
Taken in the desert outside the oasis city of Al Ain, this image has a strong leading line, while the rocks in the foreground provide perspective:
This was also taken just outside Al Ain. In terms of composition techniques, the road provides a diagonal, but, with camels grazing beneath electricity pylons, I like it as a metaphor for the entire country: modernising while trying to retain and respect tradition.
This third image was taken in a small bay near the city of Muscat, in Oman. Not all of the Arabian peninsula is covered in sand dunes, and in Oman the volcanic rock of the Hajar mountains provides an impressive backdrop to the beaches and cities. Technically, you have the rule of thirds and the parasols on the beach provide perspective, while the contrasting colours of the orange buoys in the blue sea are also a compositional feature:
Finally, two photographs taken on the nature reserve of Sir Bani Yas Island that feature all these compositional factors. On the left, another example of the same contrasting colours, while the slope of the hillside gives a diagonal and the two groups of antelope give perspective. On the right, a solitary oryx heads off into the sunset. The two pictures were taken at more or less the same time, towards sunset, and it’s interersting to see the difference in the quality of light depending on whether the sun is behind the camera or in front of it.
Posted on December 24, 2015
Posted on November 2, 2015
Leading lines could well be the first basic tool of composition that I picked up on and have stuck with ever since – to the extent that in many cases the leading lines are the image. Anyway, I seem to have plenty of them, of which these are a few – and, hopefully, varied – examples.
And finally, in a shameless attempt to earn a gold star, two images of curved leading lines